Project zone

About

Agency: about Mice, Scene & Machines

In the abstract, agency refers to the capacity to act within a given environment. Within the art world, it can also signify authorship. In the context of the art fair, agency encompasses the complex and potentially problematic relationships between the art scene, artists, artworks, and their audiences.

Within the Project zone, which introduces regional art institutions and individual practices to the broader art ecosystem, agency also refers to the actual or speculative potential and powers of (non)human individuals, institutions, communities, networks, and objects.

Various curated presentations explore the concept of agency, identifying prevalent models in contemporary discourse, outlining key aspects of today’s context, and/or encompassing diverse forms of instrumentalization that shape our choices and possibilities.

To engage in discussions about agency is to delve into the realms of (non)human (re)presentation, realpolitik, everyday life, the aesthetics of politics, and the politics of aesthetics.

Participants

A LIST OF PARTICIPANTS & PRESENTATIONS

INSTITUTIONS

SOLO PROJECTS

  • Jonas Aničas (Vilnius)
  • Gabija Grušaitė (Monte Argentario/London/Pervalka)
  • Edith Karlson ((Temnikova & Kasela Gallery, Tallinn)
  • Katja Novitskova (Temnikova & Kasela Gallery, Amsterdam/Tallinn)
  • Rytis Urbanskas (Vilnius)

SCREENINGS (MOVING IMAGE STAGE)

About curator

Valentinas Klimašauskas
Valentinas Klimašauskas is a curator and writer. For the third time in a row, he curates the Project zone which this year is focusing on Agency and the regional contemporary art scene.
Together with João Laia he curates the Lithuanian pavilion at the Venice Biennale 2024 (artists: Pakui Hardware and Marija Teresė Rožanskaitė). Also, they cocurated “The Endless Frontier”, the 14th Baltic Triennial at CAC Vilnius (2021). With Inga Lāce, he curated “Saules Suns”, a solo exhibition by Daiga Grantina for the Latvian Pavilion at the Venice Biennale (2019). Klimašauskas worked as a Program Director at Kim? Contemporary Art Centre, Riga (2017/18), and was a curator at CAC, Vilnius (2003-13).
His most recent book “Telebodies. Bleeding subtitles for Postrobotic scenes” critiques the creative act in the age of automation and disinformation (Mousse Publishing, 2024).

A. Vasilenko | ArtVilnius archive